Lend eBooks

Amazon has made it possible for Kindle users to borrow eBooks. If you would like to share a book with a friend, you may now do that. Find the details here: Lending eBooks.

Looking To Enter A Contest?

Below you will find a listing of writing contests that are open to all writers. Hopefully one will grab your attention; good luck: Original posting courtesy of Daily Writing Tips.

25 Writing Competitions You Should Enter Have you completed one or more short stories, poems, or nonfiction pieces? Perhaps you’d like some motivation — or to take the next step with them. This post lists writing competitions for 2011 that feature cash prizes of $1,000 or more and, often, publication deals for the winner (plus, for many contests, additional prizes for winners and other contestants). Note, however, that such competitions often require an entry fee (generally $15-$20 per entry), and some require the submitted material to be previously unpublished. Go to the contest Web site for information about costs and other details. Poetry 1. The Pinch Journal Poetry Contest Deadline: March 1 Type of submission: online or offline Length of submission: 1-3 poems Prizes: $1,000 and publication 2. Normal Prize in Poetry Deadline: March 4 Type of submission: online Length of submission: 5 pages or 5 poems Prizes: $1,000 and publication 3. Boston Review Fourteenth Annual Poetry Contest Deadline: June 1 Type of submission: offline Length of submission: up to 10 pages Prize: $1,500 and publication 4. Bellevue Literary Review’s Marica and Jan Vilcek Prize in Poetry Deadline: July 1 Type of submission: online Length of submission: up to 3 poems (maximum 5 pages) Prizes: $1,000 and publication 5. Lulu Poetry Contest Deadline: continuous entry Type of submission: online Length of submission: not specified Prizes: annual $5,000; monthly $250; daily $25 Short Fiction 6. The Pinch Journal Fiction Contest Deadline: March 1 Type of submission: offline Length of submission: up to 5,000 words Prizes: $1,500 and publication 7. Sycamore Review’s Wabash Prize for Fiction Deadline: March 1 Type of submission: offline Length of submission: up to 10,000 words Prize: $1,000 and publication for winner 8. Potomac Review Annual Contest Deadline: March 1 Type of submission: online or offline Length of submission: 2 stories of up to 2,000 words Prize: $1,000 and publication for winner 9. Normal Prize in Fiction Deadline: March 4 Type of submission: online Length of submission: up to 10,000 words Prizes: $1,000 and publication for winner 10. Colorado Review’s Nelligan Prize Deadline: postmarked March 11 Type of submission: online or offline Length of submission: under 50 pages Prizes: $1,500 and publication for winner 11. New Rivers Press American Fiction Prize Deadline: May 1 Type of submission: online or offline Length of submission: up to 7,500 words Prizes: $1,000, $500, $250; publication for winners 12. Drue Heinz Literature Prize Deadline: postmarked May 1-June 30 Type of submission: offline Length of submission: not specified Prize: $15,000 and publication 13. Carve Magazine’s Raymond Carver Short Story Contest Deadline: May 15-June 30 Type of submission: offline Length of submission: up 6,000 words Prizes: $1,000, $750, $500, $250; considered by literary agencies 14. Howard Frank Mosher Short Fiction Prize Deadline: postmarked June 30 Type of submission: online or offline Length of submission: up to 10,000 words Prizes: $1,000 and publication, $100 15. Bellevue Literary Review’s Goldenberg Prize in Fiction Deadline: July 1 Type of submission: online Length of submission: up to 5,000 words Prizes: $1,000 and publication Nonfiction 16. Michael Steinberg Essay Prize Deadline: February 28 Type of submission: offline Length of submission: up to 6,000 words Prizes: $1,000 and publication; publication consideration for runner-up 17. Normal Prize in Nonfiction Deadline: March 4 Type of submission: online Length of submission: up to 10,000 words Prizes: $1,000 and publication 18. Creative Nonfiction Anger & Revenge Contest Deadline: March 16 Type of submission: offline Length of submission: up to 4,000 words Prizes: $1,000, $500 19. Writers @ Work Writing Competition Deadline: March 20 Type of submission: offline Length of submission: up to 7,500 words Prizes: $1,000, $350, $100; publication consideration for each winner 20. Bellevue Literary Review’s Burns Archive Prize in Nonfiction Deadline: July 1 Type of submission: online Length of submission: up to 5,000 words Prizes: $1,000 and publication Multiple Awards 21. Glimmer Train’s Very Short Fiction Award Deadline: January 1-31, July 1-31 Type of submission: offline Length of submission: up to 3,000 words Prizes: $1,200, publication, and 20 copies; $500; $300 22. Glimmer Train’s Fiction Open Deadline: March 1-31, June 1-30, August 1-30, December 1-31 Type of submission: offline Length of submission: 2,000-20,000 words Prizes: $2,000, publication, and 20 copies; $1,000; $600 23. Glimmer Train’s Short-Story Award for New Writers Deadline: postmarked March 31, postmarked September 30 Type of submission: offline Length of submission: 3,000-12,000 words Prizes: $1,200, publication, and 20 copies; $500; $300 24. Glimmer Train’s Family Matters Deadline: April 1-30, October 1-31 Type of submission: offline Length of submission: 3,000-12,000 words Prizes: $1,200, publication, and 20 copies; $500; $300 Miscellaneous And, of course, no self-respecting list of writing competitions would be complete without this one: 25. Bulwer-Lytton Fiction Contest Deadline: April 15 Type of submission: online or offline Length of submission: up to about 50-60 words Prize: “a pittance” This whimsical contest is devoted to parodying the purple prose of Edward George “It Was a Dark and Stormy Night” Bulwer-Lytton and his ilk by crafting, as it were, the most absurdly inept opening line from a (fortunately) nonexistent novel. For more information, go to the slightly disheveled Web site and search for “The rules to the Bulwer-Lytton Fiction Contest.” Original Post: 25 Writing Competitions You Should Enter Your eBook: Click here to download the Basic English Grammar ebook.

Kindle Continues To Lead The Way

For any of you on the fence about buying an eReader, the following may be just the nudge you need to send you to the electronics store. According to eBookNewser, "Kindle owners like cheap eBooks. According to Amazon’s Top 100 Paid list, 7 of the Top 10 titles cost $5 or less.

The No. 1 title, Alone by Lisa Gardner is $.99, the No. 3 title is $.99 Switched (Trylle Trilogy, Book 1) by Amanda Hocking, and the No. 4 title is The Hangman’s Daughter by Oliver Pötzsch which costs $3.99, The No. 10 title is a $.99 Kindle game from Oak Systems Leisure Software called Word Search.

The most expensive books on the list include Laura Hillenbrand’s Unbroken: A World War II Story of Survival, Resilience, and… the No. 2 title, which costs $9.99; The Girl Who Kicked the Hornet’s Nest, Stieg Larsson $9,99 eBook, which is ranked at No. 5; and James Patterson’s Tick Tock, which costs $12.99 and is ranked at No. 8.

Three titles cost $5. This includes Stieg Larsson’s The Girl with the Dragon Tattoo at No. 6 and The Girl Who Played with Fire at No. 7, as well as Water for Elephants."

Pretty cheap when you compare eBooks to the prices of actual books, and there are thousands of titles that are absolutely FREE. The cheapest Kindle is $139.00--that's about four new hardcover books. How can you go wrong?

Pitch Your Book

Positioning your book is critical. Where does your book fit in? Whose books are similar to yours? Once you've determined the proper genre and sub-genre,consider contacting one of the authors whose work is similar to yours and ask them for a blurb. (Blurbs benefit both parties.) Where would the book be shelved at the book store? What kind of cover might best signal your position? What kind of cover copy?

The best way to broadcast what your book is about is by providing a description as concisely as possible, using the best words possible. It can be identical to the query letter and your spiel at book signings, and should include:genre, protagonist, story line, why your book is different than others, and why you are the person uniquely qualified to write it. Do all of this in one or two sentences.

When pitching your book, don't tell the story. Use ideas and current events to make it attractive, even compare it to highly successful authors' books. You only have a limited window to grab the readers' interest. Use it wisely. Remember, you have to be entertaining--it's all about getting your work into the hands of others. The work of selling you book begins when you get the idea to write it and then continues well past publication.

As a way of giving back to my community, I recently donated a case of books to my local police department. I met with Chaplain Paul Peterson of the Fredericksburg PD in Virginia, who accepted the daily devotionals on behalf of the men and women of the FPD. Cops On The Street, is a unique devotional in that each day features a story written by men and women in law enforcement. Grant Wolf, a police chaplain himself, compiled the wonderful stories and put them in book form, and he included a related Bible verse for each story. The book is suitable for the general public as well. Check it out here: http://copsonthestreet.com/

Spice Up Your Writing

Interjections help the writer convey many moods. For example: ha-ha, connotes mirth or laughter, while ahem, is used to grab attention. These small but powerful interjections add spice and life to your prose and are sometimes, poof, magical. Here's a link, courtesy of DailyWritingTips, to 100 little gems that should help you express your characters' moods and feelings: Daily Writing Tips.

2010 Words of the Year

This post comes courtesy of Erin Brenner's website, The Writing Resource:

Some people get excited when their team wins the playoffs. Others are ecstatic when their candidate wins the general election. With word geeks, it’s when a favorite word makes a Word of the Year list. This week we examine some of the most popular word lists (one is a banish word list, so I guess you’re glad if your word doesn’t make it). Did your favorite word make the cut? Could you, would you use any of them in your writing?

• App: application American Dialect Society 2010 Word of the Year
• Austerity: the act of severe or stern manner or behavior. Merriam-Webster 2010 Word of the Year
• Viral: describes how something other than a virus (such as a video) can spread like a virus. Lake Superior State University 2010 Banished Word of the Year
• Refudiate: a mashup of refute and repudiate. New Oxford American Dictionary 2010 Word of the Year
• Kinetic event: used by the Pentagon to describe violent attacks on American troops in Afghanistan. American Dialect Society 2010 Most Euphemistic Word of the Year

What Bestselling Authors Have in Common

Here are ten things that bestselling authors have in common. For a more detailed explanation of each point, click on this link: The Authors, Brian Hill and Dee Power.

1. Perseverance is key.
2. They write, and write, and write, and write . . .
3. They like to write, and write, and write.
4. Promotion is constant.
5. Marketing is an important factor.
6. Fans are an important asset.
7. The More Success, The More Pressure.
8. They faced a key turning point.
9. They're grateful.
10. There is no single profile for a bestselling author.

Who Reads Mysteries?

The Sisters in Crime-commissioned 47-page report on the book selection habits of the mystery book buyer can be found online here.

The study, titled “The Mystery Book Consumer in the Digital Age, is the first of its kind to provide an overview of the mystery/crime fiction book-buying landscape, with information on who buys mystery books, where they buy them, what they buy and why they make their mystery book purchases. The research is based on publishing industry data gathered and interpreted by the PubTrack book sales analysis division of Bowker – a unit that specializes in business intelligence for publishers, retailers and authors – with input from a Sisters in Crime survey team.

Among the findings of the study:

The majority of mystery/crime fiction buyers tend to be women over the age of 45. Overall, 68 percent of mysteries are purchased by women; more than half of mystery buyers are more than 45 years of age. Buyers 18 to 44 years of age purchase 31 percent of the mysteries sold.

Most of the mystery buyers – 48 percent – live in suburban areas, 27 percent reside in rural areas and 25 percent live in urban areas.

The majority of mysteries – 35 percent – are purchased by individuals who live in the South, 26 percent are purchased by people in the West, 20 percent by those in the Midwest and 19 percent by individuals in the Northeast.

Mysteries are obtained mostly through purchases from brick-and-mortar stores, followed by library borrowing and online purchasing. A total of 39 percent are obtained through in-store purchases, 19 percent are borrowed from libraries and 17 percent are purchased online. Online purchases in the mystery genre top those for other types of fiction.

The full survey provides a detailed look at these and other findings, including demographics, purchasing, factors that influence mystery buying, mystery reading behavior, ebooks and more.

Do I Need An Editor?

I know what your argument is: it costs money to hire an editor. Yes, it does, and why shouldn't it? Do you expect to get paid for your work when your book is published? Of course. The problem is if you don't present your best-looking manuscript to publishers, expect rejection letters as a consequence. I came across an excellent article about this very topic:

Why Fiction and Nonfiction Writers Need a Proofreader and Editor

Read more at Suite101: Why Fiction and Nonfiction Writers Need a Proofreader and Editor http://www.suite101.com/content/fiction-and-nonfiction-writers-need-a-proofreader-and-editor-a328633#ixzz1ATA3GE6L

Heading to a critique session on a snowy Saturday morning. Are all writers somewhat odd?

I will be speaking to a group of young writers today at Spotsylvania High School in Virginia.

For those who got Kindles for Christmas, read a Chicago thriller: http://ping.fm/ffpif

Ahttp://ping.fm/3Exdy thriller on the streets of Chicago: Gripped By Fear

Another List

Happy New Year! We are inundated with lists of every type at this time of year. Most of them are rather boring and meaningless, but here's a list of the best writing tips that you may find helpful as you work on your novel, short story, poem, or wherever your muse nudges you.

The Best of Daily Writing Tips in 2010.

To Capitalize or Not?

I sometimes have problems with the title of articles I write for publications. Should I capitalize each word in the title, or use lower case for prepositions only? The answer can be found in today's posting at: Daily Writing Tips.

Want To Write Book Reviews?

For more than a year now I have been writing book reviews for the NYJB. They are seeking more reviewers. If you are interested please read the information below.

NEW YORK JOURNAL OF BOOKS, adding reviewers with your expertise. Aim to become premier source—bar none—for professional, respected book reviews. Recently profiled in Publishers Weekly. (nyjb.net)

NYJB has recently been profiled by Publishers Weekly because it is the one existing online review that has captured the attention of the publishing world. The New Yorker also recently cited NYJB. Our reviewers are both published authors and others able to write compelling reviews of books covering areas of their professional or equivalent expertise.

Currently 135+ reviewers.
Our reviewers have written:
500+ traditionally published books
500+ published short stories and poems
24+ plays
12+ screenplays/teleplays
20,000 articles (our reviewers with long careers add substantially to these numbers)
3,800 reviews of books (about 600 for New York Journal of Books)
Our reviewers are also winners of more than 75 literary and professional awards.

Visit us at nyjournalofbooks.com or nyjb.net to see the future of book reviewing. This should help you decide if you’d like to review or perhaps just introduce you to a highly professional online book review.

We are increasingly quoted, traffic to the site has grown dramatically, feedback is 100% positive, and we are swamped with requests for reviews. We generally publish reviews at 12:01 A.M. on date of release so that we are the first review of any new book we critique.

The Journal reviews both mainstream releases as well as many books in niche or non-mainstream genres and books by first-time authors than are infrequently covered by the current major review publications.

Our permanent website after months on beta is up. We are deep into the remaining administrative tech work that introduces new state-of–the-art function to the publishing world.
Reviewers all set their own pace for submitting reviews and are never asked to review books they prefer not to read.

We do not anticipate any material profit until we are able to focus singularly on commercializing, once the tech build is complete. And so, we are unable to pay reviewers for the reviews they contribute. However, we believe that most writers are underpaid for their work. It is our sincere hope and plan that the success of the New York Journal of Books will become a material source of supplementary income for all reviewers.

If interested in reviewing, please visit: http://www.nyjournalofbooks.com/reviewer-application or send the same info to:
reply@nyjournalofbooks.com
Only COMPLETE applications can be considered.

While you will be asked to note frequency of reviews, we understand that circumstances change and you will always set your own pace.

Thank you.
The editors of New York Journal of Books

Win Philip Carlo's last book he wrote before he died, The Killer Within. http://ping.fm/k9oDS

I head the list of endorsements for this great new book! http://ping.fm/3wXYK

Win A Free Book

A BOOK GIVEAWAY YOU CAN'T REFUSE. PHILIP CARLO'S LAST THRILLER "THE KILLER WITHIN" -- ENTER TO WIN

NYJB has published the first authorized in depth review of this book, a month ahead of release in early January 2011. John Wills, in a poignant review praises both Philip Carlo's body of work and final book, published posthumously. "He was shot in the head during a gang fight when he was only 15 years old. Whether surviving that incident gave him a penchant for writing about death and those who cause it, we will never know. What we do know is that Mr. Carlo “walks the walk, not just talks the talk, which enables him to write true stories that many may find too frightening to read." which

Go to http://www.nyjournalofbooks.com/ for details.